Date: 24th November 2015
Duration: Full Day
Venue: Galway (TBC)
This one day masterclass, in association with Screen Training Ireland, identifies the key elements of factual storytelling and how to make formats work. Tutor, Robert Thirkell, will use case studies with real shooting scripts and rough-cuts. He will demonstrate how to structure stories so they have drive and drama, how to script and plan programmes before shooting and how to fix problem productions.
Based on Robert’s C.O.N.F.L.I.C.T. seminar, the course will cover the following:
- It will start with casting Characters
- Move on to thinking Out of the box to create scripts
- Then creating a Narrative drive, the arc
- And the all important cold open/pre-title the Front of the film
- It will continue with managing talent and making them feel Loved while getting what you need
- Techniques of Interview, producing Actuality, and writing Narration, and which is best when.
- Then how to pitch the programme to the audience so they Care, including publicizing it and getting the right spin on it,
And finally the importance of Timeline to get you out of a mess, the Title and Truth so you can be both bold and honest.
There will be clips shown of ‘before and after’ including Jamie’s School Dinners and the Boy Whose Skin Fell Off including roughcuts off both when they were failing, and show how these techniques transformed them into Bafta and Emmy winners. You won’t just listen to a riveting performance in storytelling, but will have the challenge of transforming an impossible pitch (that became a hit) yourself, and restructuring a failed roughcut.
This course is part of a series of seminars/workshops on Writing For Non-Drama Television. These will include:
• A Workshop on Commentary Writing for Television with Patrick Uden (January 19th, 2016)
• A Day of Case Studies of Irish TV Series & Documentaries. Contributors will include Andrew Gallimore and Gerry Hoban. (Feburary 5th, 2016 TBC)
This course is aimed at factual television/documentary Producers, Directors, Series Producers and Edit Producers seeking to enhance their storytelling and problem-solving skills for non-drama TV programming.
Please apply online at www.screentrainingireland.ie. For further details contact Mary Deely at Galway Film Centre on 091 770748 or email firstname.lastname@example.org.
Deadline for applications: Thursday 12th November 2015
Robert Thirkell is a TV Troubleshooter, and film repairman responsible for many hit TV documentaries and formats. He specialises in helping to create documentaries and format factual films and series at their inception, guaranteeing their quality and storytelling, and also in helping them get on air when problems need solving, especially when a bit of extra storytelling and character is needed.
Since leaving the BBC in 2003 Robert has specialized in helping broadcasters and production companies, in the UK and abroad, to create documentary formats, oversee new brands, and sort out problem series, as a creative consultant, series editor, and troubleshooter, always applying the strong narrative storytelling for which he is renowned. He directed Troubleshooter, which won the BAFTA for originality. As a result he was able to create and build business documentaries on the BBC, making them into the most successful in the world, and making a raft of original and popular formats. He went on to win the first two BAFTAs in the new formatted features category for the series Back to the Floor and Blood on the Carpet which created the modern formatted revolution. More recently Robert was Series Editor of Jamie’s School Dinners, winning another BAFTA, and troubleshooter for The Boy Whose Skin Fell Off which won the International Emmy. Other credits include Sex with Mum and Dad, Don’t Tell The Bride and Big Chef takes on Little Chef. Robert is currently working on numerous series for UK broadcasters and production companies, as well as consulting around the world.
Recent credits include:
JAMIE’S FOOD REVOLUTION: Fresh One for ABC TV USA, winner Emmy.
THE HUMAN PLANET: Major BBC/Discovery international documentary coproduction, winner 7 BAFTA awards, the most for any programme in its year.
THE DAY THE IMMIGRANTS LEFT: Leopard for BBC, cited by BBC1 Controller Jay Hunt as favorite programme, an audience hit with over 5m, viewers, a stunning 25% for current affairs. Nominate Rose d’Or . Created another new genre including.
THE TOWN THAT NEVER RETIRED: Silver River for BBC, success about how we support our old people.
BATTLE FOR SCIENTOLOGY: The first ‘First Cut’ new director film to be moved to primetime on Channel 4, biggest First Cut audience.
GIVE US THE MONEY: STV Sweden/BBC coproduction/trans europe, part of major international Why Poverty season.
THE PLAN: another Feature documentary follow up to award winning hit The Planet, Swedish and pan European production on how we solve pollution crisis.